One aspect that Aurora HDR 2019 has that both Photoshop and Lightroom don’t have, is intuitive ease of use. tiff, but then you get the image only – no editing history. ![]() You can go back at any time and tweak things. The program saves to its own file format where it preserves all of your editing history and adjustments. Like some aspects of Lightroom, all of the changes you make to an image in Aurora are non-destructive. If you’re a beginner, this probably won’t make much difference to you, but if you’re used to having serious control over exactly how you adjust your images, this will be a serious plus. Unlike Lightroom, Aurora HDR also allows you to work with layers, masks and blending modes à la Photoshop. There’s even a histogram at the top (which I find very useful). The adjustment panels run down the left-hand side and many of the initial sliders are exactly as you’d see them in Lightroom. The first thing that both novices and experienced photo editors who work in Lightroom will notice is that the interface seems quite similar to Lightroom, though much sleeker. The UI is sleek and intuitive and the controls handle a bit like a race car – just the slightest adjustment creates substantial results. On top of that, Aurora is also far more powerful and pleasant to use than any other HDR software I’ve ever worked with. Not once have I ended up with halos or fringing. In addition, the ghost reduction is impressive and the color denoise and chromatic aberration reduction really works. There’s far less noise in the final image and considerably better tonal blending. (It was certainly better than anything I’ve ever done in Photomatrix Pro). I’ve run a number of my old sets of bracketed exposures through it, and the opening image is often (though not always) far superior to what I was working within the 2018 version or in Nik’s HDR Pro. Aurora HDR 2019 uses AI in their new Quantum HDR engine, and the results are excellent. Photo by Teryani RiggsĪll HDR programs have their unique way of merging photos. The superb ghost reduction in Aurora HDR 2019 made the edge of this wave look realistic | 1/6 f/8 ISO 100 | Sony a7III + Sony FE 16-35mm f/4 ZA. (I personally think it’s best used as a plugin, but more on that later.) It can be used both as a standalone program and as a plugin for Lightroom, Photoshop, Elements, and Apple Aperture. The results are a higher tonal dynamic range than your camera could normally produce in a single exposure, with far more information in the shadows and highlights. ![]() Like other HDR programs, Aurora can either combine bracketed photos taken at different exposures or create a tonal map of a single image shot in RAW. ![]() Trey’s involvement is no doubt one of the main reasons why the interface and style is so different from other programs. ![]() Here’s a bit about it and why I think it’s the best all-around HDR editor.Īurora HDR 2019 is Mac and Windows compatible software inspired by the workflow of Trey Ratcliff, a famous HDR photographer who’s really set the bar high for HDR photography. Now Aurora HDR 2019 is out and the improvements keep rolling in. Most HDR photographers choose to go elsewhere for the actual exposure-combining and initial editing, and for many, that software is called Aurora HDR. While both Lightroom and Photoshop have the ability to combine the exposures for you, the image they come out with is generally lackluster and still needs a lot of post-processing to really make shine. However, not all HDR programs are the same.
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